The Routledge Companion to Digital Humanities and Art History

Contents

Introduction – Kathryn Brown

Part I Histories and Critical Debates

1 Digital Methods and the Historiography of Art – Paul B. Jaskot

2 Blindspot: Information Visualization and Art History – Johanna Drucker

3 The Digital Transformation of Art History – Harald Klinke

4 Feminist Digital Art History – Kathryn Brown and Elspeth Mitchell

5 Slow Digital Art History and KUbism: Or, Situation Awareness and the Promise of Open-World Games – Koenraad Brosens, Bruno Cardoso, and Fred Truyen

Part II Archives, Networks, and Maps

6 Tangled Metaphors: Network Thinking and Network Analysis in the History of Art – Matthew D. Lincoln

7 Digital Humanities for a Spatial, Global, and Social History of Art – Béatrice Joyeux-Prunel

8 Mapping Paintings, or How to Breathe Life Into Provenance – Jodi Cranston

9 Qualitative Approaches to Network Analysis in Art History: Research on Contemporary Artists’ Networks – Sanja Sekelj

10 Mapping Senufo: Mapping as a Method to Transcend Colonial Assumptions – Susan Elizabeth Gagliardi

11 X-Reception: Re-mediating Trans, Feminist, and Queer Performance Art – T.L. Cowan

12 Digital Methods and the Study of the Art Market – Pamela Fletcher and Anne Helmreich

13 Noise Management in the Archival Ecosystem: Debating Principles for Classification – Anna Dot and Pablo Santa Olalla

Part III Museums: Real, Virtual, and Augmented

14 Digital Imaging Projects for Asian Art and Visual Culture: Transcultural Mediations and Collaborations – Katherine R. Tsiang

15 A Field Guide to Digital Surrogates: Evaluating and Contextualizing a Rapidly Changing Resource – Emma Stanford

16 A Service-Orientation and Open-Source Approach to Developing Virtual Museums – Martin White and Ben Jackson

17 Art History, Heritage Games, and Virtual Reality – Erik Champion and Anna Foka

18 Art With a Lifespan: Digital Technologies and the Preservation of BioArt – Christl Baur

19 The Expanding Role of Digitized Collections: The Medici Archive – Alessio Assonitis

20 Digital Languages for Art History: Audience Engagement, Virtual and Augmented Reality – Stefania De Vincentis and Luca Nicolò Vascon

Part IV Computational Techniques for Analyzing Artworks

21 Curation, Content, Creation: Computer Approaches to the Fine Arts – Javier de la Rosa and Juan-Luis Suárez

22 Computerized Analysis of Paintings – James Z. Wang, Baris Kandemir, and Jia Li

23 Digital 3D Modeling for the History of Art – Amy Jeffs

24 Metadata, Material Culture, and Global Art History – Robert Wellington

25 Image Processing and Computer Vision in the Field of Art History – Nuria Rodríguez-Ortega

26 Pointers and Proxies: Thoughts on the Computational Modeling of the Phenomenal World – Alison Langmead and David Newbury

27 Approaching Aby Warburg and Digital Art History: Thinking Through Images – Amanda Du Preez

28 Analyzing Gesture in Digital Art History – Leonardo Impett

29 Digital Techniques for the Study of Portuguese Azulejos (Glazed Tiles): Between Alice’s White Rabbit and the Mad Tea Party – Rosário Salema de Carvalho, Rafaela Xavier, and Inês Leitão

Part V Digital Resources, Publication, and Education

30 The Database of Modern Exhibitions (Dome): European Paintings and Drawings 1905–1915 – Christina Bartosch, Nirmalie Mulloli, Daniel Burckhardt, Marei Döhring, Walid Ahmad, and Raphael Rosenberg

31 The Art-Historical Catalogue in the Digital ERA – Anne Collins Goodyear

32 Digital Provenance, Open Access, and Data-Driven Art History – Anne Luther

33 Research, Process, Publication, and Pedagogy: Reconstructing the World’s Columbian Exposition of 1893 – Lisa M. Snyder

34 Social Media in the Art History Classroom – Lauren Ann Jimerson and Allison Leigh

You can find the book in the Routledge website.